EVENTS

Tiramizu prend une pose et n'organise pas de concerts en ce moment.

Tiramizu does not make any events at this time.

Concert electro-acoustique, entrée gratuite

4 bis rue Neuve Popincourt Paris, France, 75011 01 49 29 06 36

Des infos sur le séminal Eddie Ladoire:

SEPTEMBER 11

jason kahn - porte d'italie - 20h00

Jason Kahn has been active in the European music scene since moving from Los Angeles to Berlin in 1990. He has given concerts with Günter Müller, Dieb13, Erik M, Voice Crack, Sainkho Namtchylak, David Moss, Evan Parker, Christian Marclay, Kevin Drumm, Steve Roden, John Hudak, Kim Cascone, Greg Kelley, Bhob Rhainey...
Originally a percussionist, Kahn later began integrating live electronics into his playing in the mid-90’s, at first with hardware sampling units; later using the computer and live processing software. Kahn was twice a guest of STEIM (Studio for Electro Instrumental Music) in Amsterdam, working there on combining STEIM’s real-time processing program LiSa with live drumming. Kahn also performs solo, using only laptop, analogue synthesizer or combining these with live percussion.
Over several trips to Japan Kahn has performed with Otomo Yoshihide, Sachiko M, Taku Sugimoto, Tetuzi Akiyama, Utah Kawasaki, Uchihashi Kazuhisa and Koji Asano. In 1997 Kahn formed the group “Repeat” with no-input mixing board player Toshimaru Nakamura. Repeat have toured Japan and Europe several times as well as releasing four CD’s to critical acclaim.
While living in Berlin, Kahn was from 1994-99 a member of American composer Arnold Dreyblatt’s group “The Orchestra of Excited Strings,” performing in installations, multi-media pieces and concerts.
Kahn founded the CD label “cut” in 1996, counting to date nine releases. He has composed music for theater and dance and given concerts throughout Europe, North America, Japan, Israel, Turkey, Russia and Australia.
In the past several years Kahn has exhibited several sound installations.
He currently lives in Zürich, Switzerland.

[ source== http://www.cut.fm/ ]

JUNE 05

tetuzi akiyama - porte d'italie - 20h00

Guitar, electronics, viola, and self-made instrument player
Born in Tokyo, April 13, 1964.
Tetuzi Akiyama is a highly unique and experimental guitarist heavily applying free improvisation and noise. Besides guitar, he also plays electronics, viola, and self-made instruments.
Akiyama became an enthusiastic hard rock fan when he was eleven years old, and started playing electric guitar at the age of thirteen. Later, he also came to be very interested in free improvisation and classical music. He formed the improvised music band Madhar in 1987. He also started playing classical viola, and formed the Hikyo String Quintet in 1994. The band, which played avant-garde improvised classical music, consisted of a viola, two cello, and two violin players, and included Taku Sugimoto on cello. Sugimoto soon left the band, which thus became a quartet. Later that year, Akiyama and Sugimoto launched their guitar duo, Akiyama-Sugimoto. They played gigs in New York in 1995, and in the Midwest (including Chicago and Detroit) in '96. For about a year starting in early 1994, Akiyama was also a member of Nijiumu, one of guitarist Keiji Haino's bands.

[source== http://www.japanimprov.com/takiyama/]

MAY 15

epplay - porte d'italie - 20h30

Vincent Epplay is a plastician and creator of material sonic environments. He creates loci for listening by staging sound and interrogating its mode of distribution and reception. From sonic device installations to live performance, his research emphasizes the relationships between sound and image, the context of production and dissemination, as well as the behaviourial dynamics of listeners-spectators.
realizations: web sound objects, infinite cd for generative music, sound installations and environments
collaborative works with Samon Takahashi (Mu & mixture), with Antoine Schmitt (InfiniteCD and Display Pixel), with dancers (A usages uniques / Musique pour jukebox sans titre and Play with Clara). He's working too with MTK independant cinema lab, and with Joana Preiss about voice improvisation and generative music.
[dossier de presse . pdf ]
[ www.viplayland.net/ ]

MARCH 06

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pizMO - porte d'italie   **** pictures ****

The project of the collective pizMO is to develop factual & event musical moments quasi-improvized and programmed starting from digital audio, electronic and data-processing devices. The concert is for them a kind of temporary "camping" (free laptop party or open audio streaming) - acapamentos -, a temporary interface of their non-stop activities on the networks and the medias which they explore (radio, edition, p2p, streamings, etc). During these events, they join friendly real time video collectives. PizMO, acronym of Intermittent Project of Objective Musical Zone, revolves around a grid made up of other projects like Formanex, Kalerne.net, collectivejukebox.org, radiolabo, picNIC, PacJap, Apo33, Nomusic.org, Tiramizu, etc.

http://pizmo.net/
http://www.studionex.com/
http://jukebox.thing.net/labo.html